Nursing Research Day Essay Example | Topics and Well Written Essays - 250 words

Nursing Research Day - Essay Example It feels like the system we have that time only focused on the disease and not on what we can do to prevent occurrence of diseases. It is quite sad that ‘prevention’ was only a word because if not, should public health nurses receive more professional development trainings to help the community prevent diseases? Should more facilities and better health care delivery be obtained to prevent worsening of diseases or ease recovery? Attending a research conference like this will lead participants like me to examine current practices and advocate for change. Sometimes, it will leave you asking yourself a number of questions about the result and your immediate experience as you critically examine the findings. You see yourself in the process – directly or not directly involved. The second presentation entitled â€Å"An Update on the State of Nursing† has helped me realize that statistics and numbers would not matter unless it will be put into words and will be given interpretation. At first, participants of the research were only given demographics of the nurses’ educational pursuit, position in government and organization, and employment rates. These were not much appreciated until these results were interpreted and benchmarked. I have felt the need to fulfill several vacant opportunities, especially on the administration path. We, nurses, advocate for change in our status and in the delivery of care. However, how will the administration understand us if those who are seated are businessmen, stockholders, or others not from the health profession? How can we advocate for change in Congress if our voices were so little? Conducting and disseminating research findings are important in imbibing awareness of the current situations, changing our stand in the society, and becoming actively involved in the process. Without these, change will not be

Number grid Essay Example | Topics and Well Written Essays - 1500 words

Number grid - Essay Example Upper Left No. UL*LR UR*LL Difference 1 23 63 40 26 1248 1268 40 33 1815 1855 40 48 3360 3400 40 55 4235 4275 40 62 5208 5248 40 78 7800 7840 40 TABLE 2 As the table indicates, no matter where we place the square in the grid the difference in the product of the corners for a 3 x 3 square is always 40. Table 3 below are the results of a square that is 4 x 4 placed randomly on the grid. Upper Left No. UL*LR UR*LL Difference 1 34 124 90 17 850 940 90 24 1368 1458 90 36 2484 2574 90 41 3034 3124 90 53 4558 4648 90 67 6700 6790 90 TABLE 3 As the table indicates, no matter where we place the square in the grid the difference in the product of the corners for a 4 x 4 square is always 90. Table 4 below are the results of a square that is 5 x 5 placed randomly on the grid. Upper Left No. UL*LR UR*LL Difference 1 45 205 160 16 960 1120 160 23 1541 1701 160 35 2765 2925 160 42 3612 3772 160 56 5600 5760 160 TABLE 4 As the table indicates, no matter where we place the square in the grid the difference in the product of the corners for a 5 x 5 square is always 160. Table 5 below are the results of a square that is 6 x 6 placed randomly on the grid. Upper Left No. UL*LR UR*LL Difference 1 56 306 250 15 1050 1300 250 23 1794 2044 250 23 1794 2044 250 21 1596 1846 250 32 2784 3034 250 45 4500 4750 250 41 3936 4186 250 TABLE 5 As the table indicates, no matter where we place the square in the grid the difference in the product of the corners for a 6 x 6 square is always 250. Table 6 below are the results of a square that is 7 x 7 placed randomly on the grid. Upper...This is true for a 2 x 2 square and all other sizes. However, the difference in the product of the corners is dependent upon the size of the square. As the size of the square gets larger, the difference in the product of the corners also increases. But is there an algebraic relationship between the size of the square and the difference of the product of the corners Can we calculate the difference by knowing the size of the square Table 10 lists the results from the previous investigations. As we have seen, no matter what size square is used, we can use algebra to calculate the number of possible squares and the difference in the product of their corners. This applies to all possible combinations placed on the grid.

Why a Graduate Degree Essay Example for Free

Why a Graduate Degree Essay When I started writing this paper I had hundreds of reasons why I am pursuing a graduate degree. My objective was to recognize which ones were more important and to find out what were the real reasons. As I sat in front of my piece of paper I came to realize the most important reasons as to why I want to purse my MBA. I graduated in 2001 from a school in Bolivia, South America. I moved to Virginia in January 2002 to start a new life. I began looking for a job related to my degree, Industrial Engineering, but the offers I received came nothing close to a job I desired. After months of searching I realized that it maybe because most companies don’t want to hire someone who graduated from a university they never heard of, especially one abroad. It is then when I realized that I needed something to be more competitive in the labor market, so the solution was to enroll myself in a graduate program. Another reason is because of a disadvantage in my major. My major does not provide specific knowledge in specific areas, but basic knowledge in different areas. I want a major that specializes in one specific area, such as Management Technology. I am young and have a lot of spare time. I am 26 years old and I think it is time for me to establish my career. I am not content with my current job and I want to develop a career that is going to take me farther. I am 100% certain that a MBA is going to take me where I want to go. Financial security is something that for me right now is not a major issue because I am single and have no children; but one day I do want to build a family and when that day comes I want to be financially stable. Pursuing a graduate degree will help and be an important factor to my financial security in life. I also want to pursue a MBA for personal satisfaction. I have always believed that knowledge is something that makes you a better person for the society. I also want my mom to be proud, she worked hard to put me through college and now it is my turn to show her and my family I can do this on my own and I can do it right.

Debates on Elephant Culling

Debates on Elephant Culling Ivy Terry The Controversy of Elephant Culling Press and media have pushed the idea that elephant populations are threatened, diminished by habitat loss, poaching and a variety of other reasons. In the 1930s habitat loss and heavy ivory poaching had decreased South Africas elephant population from 3-5 million to around 500,000 (Harmse, Riana). Since then, through protection, laws and regulations the elephant population in South Africa has increased dramatically, to the point of overabundance. Due to the recent prosperity in the elephant population, measures to control their ecology is crucial to the health and wellbeing of the ecosystem, neighboring species, and the prevention of elephant-human conflict. In South Africas Kruger National Park, in particular, this wildlife management is a necessity in keeping a successfully thriving park. There have been many ways Kruger has pursued in solving the elephant population issue. Including birth control in females, birth control in males, relocation and the establishment of corridors, bu t the most popular in past years has been culling (Harmse, Riana). Culling is a controversial subject when it comes to management because it entails physically killing elephants in a population to reduce its size. So controversial in fact that it was outlawed in Kruger in 1995 but then recently reintroduced back as a management method, in smaller scale (Harmse, Riana). Kruger today has around 13,050 elephants and this population is growing exponentially (Role of Bull Elephant). With lack of predators and an abundance of artificial and natural watering holes, as well as other natural resources, there is no controlling the rate of population growth of these animals (Harmse, Riana). This growth is an imminent problem for the park as well as its surrounding areas. First of all, elephants move in herds, this means they have a substantial effect on landscape and tree cover in the environment. These herds are also constantly moving, covering and destroying vase amounts of land per day (Role of Bull Elephant). Kruger is 7,523 square miles, though this seems large, it is not enough space to support such a population of large mammals (Harmse, Riana). This issue of space contributes to greater and more frequent human-elephant conflict as well as the destruction of park boundary fences and more frequent crop raids (â€Å"Role of Bull Elephant†). There h ave been many other suggested and tested methods of elephant population control in Kruger but none have been proven to be as effective as annual culls. Contraceptives in male or female elephants prove to be expensive, invasive, time consuming and not always successful. Relocation resulted in elephants coming back through the park boundary as well as being massively expensive and dangerous for both parties. Finally, the introduction of corridors from park to park has shown to be too expensive and there is simply no land available to dedicate to this sort of expansion (Harmse, Riana). It is out of the ashes of these other methods of management that culling was reintroduced to Kruger. Currently 500 to 600 elephants are killed in Kruger each year in order to keep the population as close to 13,000 as possible (Elephants To Cull or Not to Cull That Is the Question). After these elephants are killed they are immediately removed and taken to processing locations to which all parts of the an imal are used; meat for food, bones for jewelry and tools, organs for medicine and medical research etc. (Harmse, Riana). Though culling is the most widely used form of elephant population management used in Kruger today it is also the most contested. Each year 950, 000 people visit Kruger and these visitors account for millions of dollars worth of income for the park annually (Harmse, Riana). Obviously any detriment to this tourism would be to the disadvantage of the park and elephant culling, even if hidden from the public, has proven to cause a drop in visitors (Harmse, Riana). Culling in the park is not only affecting tourism but the well being of the elephants as well. Elephants are one of the most sensitive mammals on the planet and one could only imagine the psychological damage that occurs to young after a culling. Typically, hunters go in and wipe out the elders of the herd, leaving the young (Harmse, Riana). This terribly disrupts the age structure of the population by removing the experience necessary to raise the elephant young. This has been known to cause said young to grow up as rogue ele phants, removing themselves from the herd, wreaking havoc on the park and neighboring areas (â€Å"Elephants To Cull or Not to Cull That Is the Question†). These elephants have to be killed due to them posing such a significant threat to humans. Apart from being sensitive, elephants are intelligent creatures. They have been known to communicate from herd to herd by using low frequency grunts very similar to how whales communicate. Therefore, if elephants are culled in one area others know about it, this aggravates them and they can get very frightened, leading to panic and further damage to the environment and danger to humans (Elephants To Cull or Not to Cull That Is the Question). Another major concern with culling in elephant populations is the fact that professional hunters are not always used. This is a considerable issue. These kills needs to be clean and fast, injured elephants are very dangerous, and their cries cause more stress to the remaining herd and can provoke permanent psychological damage on the young. Quick removal of the bodies is also very important due to the fact that remaining elephants often will go back to see their dead companions and this puts even more stress on the animal (Elephants To Cull or Not to Cull That Is the Question). Finally, elephants have a keen sense of smell. So much so that they can smell elephants that have been in distress, blood on the ground, and other signs of death. Elephants are warded off by these smells and will no longer range in areas where a cull has taken place, even years after the event. This can pose problems if the area had been a migratory route for the herd. The elephants would have to take alternate routes to avoid the area, potentially bringing them into contact with farms and villages as well as the possibility of them never finding their traditional feeding grounds, leading to starvation (Elephants To Cull or Not to Cull That Is the Question). The culling of elephants as a management approach in Kruger National Park is a widely debated topic. Personally I believe that the culling of elephants in Kruger or in any other location should be outlawed. I am not necessarily against culling all together but with such a sensitive animal as the elephant it is not appropriate. There are other circumstances in which culling may prove useful and not be of such detriment to the species. Authoritize in the United Kingdom, for example, have recently started regulated culling of badgers. The massive local badger population has been thought to spread tuberculosis to neighboring cow herds. In response, two major culls have taken place, these culls have proven to lower the tuberculosis in herds without having any detriment to the age structure, mental health or the badger populations overall well being (Second Year of Badger Culling Begins). For this reason it is of the utmost importance that before any sort of culling occurs a thorough analy sis of family structure, age structure, mental health and behaviors is looked into on an species to species basis. From there, other strategies can be weighed based on population size and situation. Culling is a viable option for population management but on a situational basis and in terms of the elephant it is inappropriate. Work Cited Elephant Population Management. Kruger Park News. N.p., n.d. Web. 13 Nov.  2014. Elephants To Cull or Not to Cull That Is the Question. Kruger Park Times. N.p.,  n.d. Web. 13 Nov. 2014. Harmse, Riana. Elephant Population Management In Kruger. Olifants Reserve,  Kruger National Park, Limpopo, South Africa. Aug. 2014. Lecture. Role of Bull Elephant. Elephant Culling. N.p., n.d. Web. 13 Nov. 2014. Second Year of Badger Culling Begins. BBC News. N.p., n.d. Web. 17 Nov. 2014.

Background Information :: essays research papers

I. BACKROUND INFORMATION   Ã‚  Ã‚  Ã‚  Ã‚  Jill Stacey Moreland(born Itabari Njeri) was born in Brooklyn, New York. She started off as being a singer/actress; but she found a calling in journalism. She obtained her B.S. from Boston University, and then later on she received her M.S. form Columbia University. She worked as a writer for numerous projects, and then was the author of three books. She wrote â€Å"Family Portraits and Personal Escapades,† â€Å"The Challenge of Diversity†, and â€Å"Reflections of a New World Black.† Currently Jill Stacey does public speaking at Universities about memoir, multiculturalism, and ethnic conflict. II. GENERAL SUMMARY   Ã‚  Ã‚  Ã‚  Ã‚  The story, â€Å"When Morpheus Held Him,† was about a girl who had a drunk for a father. When the girl was three her parents separated, she did not see her father again until her parents reunited when she was seven. When her father came back into her life, she said that she could not stand her father. Her father ended up teaching younger students around an age where he thought was most influential. When the girl’s mother went away for a couple of weeks, the daughter wanted to stay with her aunt pearl so she would not have to stay with her father. The father said no unless aunt pearl asked her if she wanted to stay with her. Of course aunt pearl did not ask her but she went anyway. When her father found out what happened, he beat her bad enough to leave welts and bruises for months. The only time that the daughter and the father bonded was when the father would play some music on his old piano and she would come and sing for him. When the mother came back the fights continued. After the fights were over, the father would fall asleep due to his drunken rage. The only time the daughter felt safe around her father was when he was asleep. III. RELATIONSHIP TO TODAYS SOCIETY   Ã‚  Ã‚  Ã‚  Ã‚  In today’s society, there are a lot of kids that didn’t grow up with their father due to their parents fighting all the time. A lot of the times the father is a drunk and gets violent towards his partner or his children. I think that I can relate a little to this story because I was in a similar situation with my father. When I was little my parents would separate often. I could not understand why they would separate when I was little.

Basic Telescope Physical and Optical Characteristics Essay -- physics

Here you will find a variety of information on the optical characteristics of various types of telescopes as well as some of the basic underlying physics behind them. This includes some information that pertains to the preformance degredation of a telescope optical system (for instance, vignetting and air turbulance) and a few concepts of mirror design (the parabolic shape and over/under correction of the primary mirror). I'd recommend starting with the "Optical Paths" section so you can familiarize yourself with some of the basic types and concepts of several of the widely used telescope designs before reading the other sections. Optical Paths of Various Types of Telescopes Here is one of the most interesting parts of astronomy and star gazing: the equipment. There are four different types of basic telescope designs that are in use today. One of these, perhaps the most widely known, is the Refractor. The refracting telescope was first utilized for astronomy by Galileo Galilei in 1609, but it was invented by the German Dutch lens maker named Hans Lippershey in 1608 (Zoom Inventors and Inventions). There are also three other types of common telescopes. These include the Shmidt Cassegrain, Maksutov Cassegrain, and the Newtonian Reflector. In terms of design, they all have different advantages and disadvantages (including cost considerations) that have to be taken into account if one were to decide on a particular design to purchase. Ultimately, the physics behind the the different designs will have an effect in influencing a purchasing decision. But before the four different designs are discussed with greater detail, a few technical terms must be introduce d and defined. Central Obstruction - Refers to the secondary mirror ... ...ope Basics. 18 Nov. 2002 Freudenrich, Craig. How Telescopes Work. How Stuff Works. 18 Nov. 2002 ACEPT W3 Group. The Refraction of Light Part II. 14 Dec. 1999. 18 Nov. 2002 Vignetting Caused by the Limiting Aperature of Various Tubes and Adapters. 18 Nov. 2002 Marvelde, Arjan. A 10'' Newton Telescope. 17 Nov. 2002 VandeWettering, Mark. Telescope Basics. 18 Nov. 2002 The Meade UHTC Group. 19 Nov. 2002

Killer Joe and Gender Representations

Critical observations of unbalanced representations of gender In William Friedkin’s â€Å"Totally twisted deep-fried Texas redneck trailer park murder story† Killer Joe Freeman 1 British film theorist Laura Mulvey has spent her career using psychoanalysis to uncover pre-set molds and social expectations about gender and sexuality, to interpret classic Hollywood films. Mulvey has argued that there are three ways in which gender is represented within Hollywood cinema. First, she argues that women lack control and meaning, thus fueling their desire for the penis and power of a man.She also states that women exist as a silent opposition to the dominant man (a child-bearing subject merely in relation to). Last, this essay will argue that women are meant to carry no significance of their own but acting as merely a threatening obstacle for the male to â€Å"overcome† or re-work (Visual Pleasure and Narrative Cinema, 1975). Laura Mulvey and her views on female representa tions and gender roles within Hollywood films still prevail with fundamental relevance in modern Hollywood cinema.This essay will underline the truths of Mulvey’s observations by using William Friedkin’s violently obscene farce Killer Joe (2011) to argue that Mulvey’s article, no matter how outdated, can still be used to address prominent and modern examples of unbalanced sexual representations within Hollywood cinema. On the surface it may seem very obvious that the men have the power in this film due to how the women are represented and treated.But, as Killer Joe unfolds the question is whether it is the women with the power, or just an obvious desire for power fueled by their lack of meaning, control, and a phallus, as Mulvey has mentioned in previous years. The first man we see in the film is young and weak, wet, vulnerable, locked out of the trailer and getting violent. He is verbally demeaning towards his younger sister Dottie as if it were her fault that he is locked out, and her purpose to wake up and let him in.Dottie Smith is the first female we see, and becomes a central subject for the ruthless male – she Freeman 2 lacks authority, lacks independence, and her fetal position is an obvious symbol for needing nurturing from a stronger being. Dottie is made to appear lonesome, without companionship or passion. As she lies there, Friedkin intends to focus on Dottie’s innocent aspects, such as her belongings: dollhouses, stuffed animals, pink curtains, teen-pop heartthrobs taped to the walls, although the young woman in the bed appears to be too old for such childish decor.The second woman we see is placed directly in front of the camera by her unruly crotch. Her face appears after we become acquainted with her lower half, with makeup smeared down her cheekbones and her nipples exposed from under a thin sweat-stained shirt. The first two women in this film are polar opposites (one a fragile blonde virgin who sleeps with stuffed animals, and Sharla, an older brunette women a little too comfortable with her sexuality).This difference expresses to us that this story will focus hugely upon the different aspects of woman as a representation, and highlight that Laura Mulvey’s views on women are still incredibly relevant throughout Friedkin’s film. Mulvey also mentions that the act of looking is a source of pleasure for the male scotophil. The explicit placement of the camera exhibits these women and their features to the audience as sexual spectacles while it solicits our attention, shapes our opinions about women to make â€Å"erotic lookers† out of us, and creates an unevenly distributed â€Å"power to look† (Mulvey, 1975).The young male, Chris Smith, is hardly phased by his step mothers exposed vagina in his face because it is insinuated that he has either seen it before, seen many others like it before, or that she is so disgusting to him that her crotch means nothing to him sexually or even in regards as a human being. Chris is allowed to expose himself while urinating while Sharla yells for him to close the door. Chris’ penis is allowed to be exposed to women as a sign of power Freeman 3 and manipulation, while a woman’s exposed vagina is a sign of weakness, objectiveness, and sleaziness.After all of this, she grabs a beer from the fridge before putting any clothes on. She is an over sexualized woman, a sexual spectical, while also appearing to be very masculine in her actions, which is to assume that certain actions and characteristics of both male and female are set in stone to shape our expectations of gender in Hollywood cinema. The beer before pants, the over exposure of her body, and the way Sharla speaks to her step-son are all actions that a man might follow through with, and she does this in a way that expresses her desire for authority, for a penis like the men she obviously idolizes.Sharla and Chris physically fight as if they were both men – she desperately wants to fit into their world, but she is cast away like an unusable piece of meat once her duty to grab them beers has been filled. At thirteen minutes we see Dottie practicing Kung-Fu to a Jet Li movie on the television, which is an example of her wishing she were stronger, wishing she had the ability and the â€Å"balls† to fight against evil when in reality she is more like a play-thing for her Father, Ansel Smith, Chris and for Joe Cooper.Women lack control, yet they desire it, desire the power of the dominant male gender, and Killer Joe establishes the female characters in the same way that Laura Mulvey had expressed this view in 1975 as being an underlying representation of women throughout Hollywood cinema. Mulvey also argues that women exist as a mere childbearing relation to the male, as a silent opposition that is not a gender of it’s own, but a male-like figure lacking in its significant source of superiority: the phallus.Essentially, social constructions would argue that women are born more naturally gentle and nurturing because of their ability to breed, while men are naturally born with more acceptable aggression, enabling them to Freeman 4 â€Å"protect† their gentle mate (Media and Society 5th ed. , 350-351). Thirty-four seconds into the film we have heard a zippo lighter, purposeful footsteps, and a shotgun cocked and blast before we are shown anything, visually. From those sounds alone, the film carries a grunge-country, plaid-wearing, sweaty-man undertone that never ceases to leave the screen.An angry storm, angry pit-bull and a sloppy trailer park establish the setting of the film, forewarning us that this is a â€Å"mans† film, and is anything but clean. Ansel and Chris, father and son, are talking about Dottie’s virginity as if she has not lived out her purpose to society yet until she finally gives it up. The inheritance of Dottie’s mother Adele went t o her scumbag boyfriend Rex before her daughter, (whom we find out she tired to kill as a baby). This expresses that women will always fall to the feet of the male superior, as Mulvey has mentioned.Ansel and Sharla talk about Dottie sleeping with cowboy-in-black Joe Cooper for the first time as if satisfying him sexually will benefit the family. They force her to get a dress, look pretty, because â€Å"If she don’t know what’s expected of her, she might disappoint him! † (Sharla, Killer Joe). Mulvey’s idea that women are merely objects for childbearing is hugely represented when Dottie finally stands up for herself at the end of Killer Joe, kills her family in an act that could only come from the confidence of carrying a child and a loaded phallus.Sharla loses all invisible phallic confidence that she once had, when Joe kicks the shit out of her. Sharla never wanted kids – she was never a woman with the maternal instinct, therefore she carried no s ignificance or necessary female attributes that satisfied the man. Sharla tries to overcome the obligations of her gender by cheating on her husband with a younger man, but the photo proof of their sex life backfires on her when Joe uses her bold promiscuity against her as if it were her duty as a woman to be gentle, easily Freeman 5 anipulated, and loyal – only the men are allowed variety. Like this essay has stated, Friedkin’s Killer Joe is an obvious expression of Laura Mulvey views on the male-authoritative being objective towards women and their abilities as human beings outside of their ability to reproduce. Which brings this essay to the third statement, which emphasizes that women are meant to carry no significance of their own as a lone-standing gender, but as Laura Mulvey indicates, act as a threatening obstacle for the male to â€Å"overcome† or re-work into something acceptable, and useable.Regine-Mihal Friedman, author of educational article Invisib le Metamorphosis (2012), proves in her modern film analysis that the on-screen representation of sexual violence against women has always been a customary theme of cinematic narration, not only in Hollywood as Mulvey mentions, but within international cinema as well. Ansel Smith of Killer Joe is constantly in the â€Å"dog-house† because of Sharla. She wears the pants, carries the symbolic penis in the relationship and she likes it that way. It is her relationship with Corvette Rex that makes her feel dominated, and she appreciates both aspects of her relationships.When Sharla is with Ansel she can have the power and the penis, and while she is with Rex she is able to figuratively and literally lay back and be taken and overcome by the penis. Chris comes to live with Ansel and Sharla because of his relationship with his mother, Adele, and her empowerment over him, causing the reoccurring question throughout the film â€Å"did you hit her, again? † (Ansel, Sharla, Kille r Joe). For some reason, Chris and Ansel feel entitled to a cut of what Dottie is inherited, again, taking the power away from the phallus-longing female.Chris feels like he is getting back at his mother for everything she did to him and his sister Dottie. Instead of taking the blame for his own mistakes, every one of Freeman 6 his problems falls on Adele, and she must die because of it: active male, female problem solved. Dottie appears nude in a dream that Chris has about her where she slips her robe off to reveal her naked body, but instead of giving him sexual favors, she holds her fists up and stands in a fighter position as if to say â€Å"I am woman, hear me roar! He wakes up terrified, either because of his incestuous dream, or because a supposedly passive female is attempting to overpower his role as the active male – could be both. Again, this proves that a male audience needs to look voyeuristically to maintain power, anonymity, creating an erotic mystery to havin g seen without being seen (Mulvey, 1975). When Dottie officially becomes Joe’s retainer for the lack of payment by the Smith family, she is officially in Joe’s hands, whatever he says goes, whatever he needs and craves (including her virginity) he claims, and takes.Her body is his to construct, his to mold into something acceptable, something that fits into his life, and fits over his dominance, his penis, forever like a piece of clay. Dottie is easily pressured into sleeping with him and becomes â€Å"comfortable† in the black dress when Joe offers her flowers and a â€Å"heartfelt† story about his youth. She is no longer the feisty Jet Li wannabe that Joe once saw her as; Dottie has allowed Joe to â€Å"fix† her, to impregnate her, and to make her existence purposeful.Sharla, the overly confident manipulative whore who believes that she can do, say, get away with anything is put in her place when she makes Joe Cooper ejaculate in his pants while sucking on a KFC chicken wing held to his crotch. To overpower the women you must make her bow down to you, suck you off (suggestively), while waving a piece of chicken (your dominance) in her face. The film concludes with Clarence Carter’s Strokin’, a song that could tell you a lot about Laura Mulvey’s views on themesFreeman 7 of sexually dominated women throughout Hollywood cinema as a whole, and precisely, Freidkin’s Killer Joe. Killer Joe has taught us many things: If the women want the penis so bad, we should give it to them, that a pregnant women is a powerful women but only if she is literally holding a big deadly penis in her hands (cocked and ready to blow bullets at you), and that if you take that penis away, she is nothing but an annoying piece of KFC being waved in your face, begging for significance.Film theorist Laura Mulvey’s three views regarding a woman’s need for the male phallus, their obligation to reproduce, and that wom en are never exceptional creatures until the man makes them so, has been proven to appear in both classic and modern Hollywood cinema. William Friedkin’s obscene murder-story Killer Joe is an undeniable example of how Laura Mulvey’s ideas are still very apparent when observing unbalanced representations of gender throughout Hollywood Cinema. Freeman 8 Works CitedKiller Joe. Dir. William Friedkin. Perf. Matthew McConaughey. Voltage Pictures, 2011. Film. Mulvey, Laura. Visual Pleasure and Narrative Cinema. Screen (Society for Education in Film and Television), 16:3 (Autumn 1975): 6-18. O’Shaughnessy, M. , & Stadler. (2012). Media and Society Fifth Edition. Melbourne: Oxford University Press. (Original work published 1999) Friedman, R. -M. (2012). Invisible Metamorphoses, Studies in Documentary Film, 6:3, pp. 273–290, doi: 10. 1386/sdf. 6. 3. 273_1